Brianna "Bree" Jimenez (she/her) is a cultural practitioner that uses multiple disciplines to decipher her Afro-Caribbean/Latina experience. Ancestral history and generational trauma are themes visited to discern her origin and identity. She examines the social and systemic constructs that impact the BIPOC community and familial ties from a holistic lens. This requires utilizing historical context, lived experience, academic research, and creative storytelling to reimagine an often whitewashed version of a brown identity. Her Diversity in Leadership thesis work includes research on Black and brown women as exploited makers of culture and beauty as well as the limited narration of plural immigrant identity stories.

Jimenez's work pays tribute to a timeless tradition of capturing the ephemeral and how the momentary leaves a lasting impact. Cycling between faceless portraits, cityscapes, nature, heirlooms, and everyday objects, she carefully engages in her first-generation experience. Through her emotional weaving of narrative and visual elements, she invites readers and viewers to sit beside her and question what encompasses their identity. Her most utilized mediums include writing and photography. Her work includes textiles, printmaking, cinematography, and watercolor.

After years of conforming to the narrow idea of what an Afro-Caribbean woman was, she has broken past the mold to use mediums like poetry, photography, and digital creative avenues to tell her story. The BIPOC experience is often told as a short-sited story. She believes through a collaboration of art, history, academia, rest, and protest, there is hope to regain control of the narrative.